Information

Content includes:
Tom Avermaete, David de Bruijn en Job Floris
Nuño Portas, The search of a language
Hermann Czech, Transformation
Giorgio Grassi, Avant-Garde and Continuity
Vittorio Magnago Lampugnani, Tradition, Subtle Innovation and the Ineluctable Modern
Job Floris, Dronningegården and Kay Fisker’s Continuum
Tom Avermaete, Reconstructing Convention. Fernand Pouillon’s La Tourette Housing in Marseilles, 1946–1953
Reem Almannai, Florian Fischer, The Essence of Things, Josef Wiedemann’s Building for the Alliance Headquarters
Hans van der Heijden, Joost Hovenier, Pragmatic Geometry. The Sant’Angelo Monastery in Milan
Dirk Somers, A Convincing Reception, Visiting Asnago and Vender
Nelson Mota, The Teacup and the Motorcycle
Mikael Bergquist, Josef Frank: Villa Wehtje
Wouter Hilhorst, A Liberal Spirit
Eric Lapierre, Louis Faure-Dujarric, Banal or Ordinary Architecture?
Adam Caruso and Peter St. John, Pasticcio
Christoph Grafe, Other Modernities, Observations about a North-West-European Architecture
Mark Pimlott, Pasticcio, A Medley of Twentieth-Century Belgian Architecture, in Pictures

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Oase 92, 2014, Codes and Continuities. Designed by Karel Martens & Aagje Martens, Werkplaats Typografie
Oase 92, 2014, Codes and Continuities. Designed by Karel Martens & Aagje Martens, Werkplaats Typografie
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.