Editor(s): Simon Johnston, Mark Holt, Hamish Muir and Michael Burke.
“The editors took a modernist stance – each issue was at the cutting edge of what was possible with typesetting, reprographics and print, produced at a time when the industry was transitioning from analogue to digital. The first 6 issues and aspects of the 7th issue were analogue based. Each of the printed issues was 16pp A4 format with 4pp cover and 8pp semi-transparent jacket. The typeface used throughout was Scangraphic Unica.” Mark Holt, Editor
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Advertising Design, Design Archive Feature, Members Only Content, Regional Histories
One of Otl Aicher's lesser-known works was the identity and publicity for the Gastein Valley. Gastein valley was a resort for the elderly, an Austrian Alpine village in the Austrian state of Salzburg
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Design Archive Feature, Ephemera, Members Only Content, Regional Histories
Collected Japanese ephemera From the late 1920s to the mid-1930s, from Japan's transformative period, with its robust industrial force accompanied by an increase in consumer culture.
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I have long been a fan of Counter-Print, as a student, I would order their newsprint publications, peruse their Flickr albums and now, over a decade later I still buy their latest releases and their site provides our staff with great giftse throughout the year. I interviewed one of the founders, Jon Dowling to find out more about setting up Counter-Print, their favourite books and which publishers inspire them.
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