Only an Ocean Between: America and Britain, Lella Secor Florence, 1943 (Isotype)

Information

Details

Linked Information

Only an Ocean Between - America and Britain, Lella Secor Florence, 1943 (Isotype)
Only an Ocean Between – America and Britain, Lella Secor Florence, 1943 (Isotype)

 

Only an Ocean Between - America and Britain, Lella Secor Florence, 1943 (Isotype)
Only an Ocean Between – America and Britain, Lella Secor Florence, 1943 (Isotype)

 

Only an Ocean Between - America and Britain, Lella Secor Florence, 1943 (Isotype)
Only an Ocean Between – America and Britain, Lella Secor Florence, 1943 (Isotype)

 

Only an Ocean Between - America and Britain, Lella Secor Florence, 1943 (Isotype)
Only an Ocean Between – America and Britain, Lella Secor Florence, 1943 (Isotype)
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Victorian Graphic Design left a mark on both British and American design history. In Britain, the ornate embellishments served as a symbol of prosperity and cultural values. Meanwhile, America embraced the combination of various design elements to navigate the complexities of a rapidly changing society driven by industrialisation and consumerism.

Members Content

Ikko Tanaka (田中一光, 1930–2002) was a celebrated Japanese graphic designer. His client list included Mazda, Hanae Mori and Issey Miyake, Expo '85 in Tsukuba, World City Expo Tokyo '96, and the Victoria and Albert Museum.
Parallel Public is a new publication by Sara Blaylock, published by MIT Press. The book documents the East German artists pioneering work that made their country’s experimental art scene a form of (counter) public life.

Members Content

The designer is unstated on these postcards, which were designed during the mid to late 1970s, but these playful illustrations alongside what looks to be Frankfurter Bold definitely fit the criteria of friendliness and efficiency