







‘Together with Inge Scholl, sister of Hans and Sophie Scholl, who were executed in 1943 as members of the “Weie Rose” resistance group, Otl Aicher designed the Ulm Adult Education Center, which opened on April 24, 1946. Soon after, Aicher began designing their image with special posters. For the ideologically influential core events, which became known as “Thursday Lectures”, he created upright format posters and square posters for the courses. The content is converted into visual communication through shapes, colours and letters. Aicher’s posters up until 1960, when he passed this part of his work on to others, show which of these design elements were used and in what way. For example, your own typeface designs are replaced by typographic design and figurative elements by abstract geometric shapes. The book shows how shapes and colours are used to encode specific content, and as such is a small but useful grammar of graphic poster design. The author, who accompanied Aicher’s development for some time, first as a student, then as an employee and co-author, shares insights and experiences from the creative process of the posters. He compiled, dated and explained Aicher’s posters for the Ulm adult education centre as completely as possible. He names the influences that have shaped the work of Otl Aicher and passes on insights into the understanding of the effect and composition of the posters.’








From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Movements, Book Reviews & Press Releases, Design Education, Regional Histories
Founded in 2015, Triest Verlag für Architektur, Design und Typografie have published notable works on graphic design history, including biographies of Othmar Motter, studies on Eugen Gomringer’s typography and poetry, Ernst Keller’s teachings. Thier latest book The Birth of a Style, focuses on the influence of the Basel Educational Model on the evolution of Swiss graphic design into the renowned international style.
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Design Archive Feature, Members Only Content
Notes on transit and network map design, including the iconic London Underground map by Harry Beck, the importance of visual clarity, and the role of accessible design in timetable design.
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Design Archive Feature, Designer Profiles
A profile of British designer Dennis Bailey, featured in Modernist Graphic Design in Britain 1945–1980 by Ian McLaren and Tony Pritchard, exploring his early influences and role in shaping post-war modernist graphic design in Britain.
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