‘Otl Aicher (1922–1991) was perhaps the most influential designer in postwar West Germany. He became famous for his design of the commercial face of the 1972 Olympic Games in Munich and his sport pictographs, and created the logos for large Germany companies such as Braun, Lufthansa, and BMW. As cofounder and later head of the pioneering Ulm School of Design, Aicher left his mark on whole generations of graphic designers. His connection to the circle around the resistance movement The White Rose was formative for his political involvement. He was married to Inge Aicher-Scholl, sister of Hans and Sophie Scholl, core members of the movement who were executed in 1943.For this first critical biography, Eva Moser interviewed Aicher’s companions, family members, clients, and friends. Her text is supplemented by private family and professional photos as well as selected examples of Aicher’s seminal design ideas.’

From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Designer Profiles, Members Only Content
Max Huber worked across advertising, packaging, design and industrial design. He had a distinctive style that skillfully blended bright hues with photomontage.
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Design Archive Feature, Illustration, Members Only Content, Regional Histories
A while back, I bought a set of around 14 French travel guides produced by Shell that came in a leather pouch, each bearing the signature ‘D. Hamot.’ Determining the designer's full name proved to be a challenge. Their aesthetic could reflect the shifting design trends of the late 1960s.
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Advertising Design, Design Archive Feature
The transformation of Radio Free Berlin's publicity from dark and provincial to striking and imaginative. Cultural announcements and radio programs designed by Hans Förtsch, Sigrid von Baumgarten, and Reinhart Braun
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