Information

Content incudes:
Watch out for kitsch
Giancarlo Pozzo – Open office proposal
Carlo Bassi and Goffredo Boschetti – In Ferrara
Leonardo Ferrari – A space to live in
Antonio Piva – Blue and silver, So from America
Mario Marenco – Four cushions for one seat
Robert Propst – Action Office 2, A little bit of tubing and a lot of research
Ettore Vitale – Showcase as a signal, Testing and production
Silvio Coppola – Everyone at the fair with the most beautiful dress
Pier Carlo Santini – Costantino Dardi
Marco Romano – The house problem, Architecture cards, Design news
Grazia Gamberoni- Books and magazines, A working group, Screen printing and graphic design
Aldo Montù – Nature and geometry
Guido Ballo – Aspects of the informal
Bruno Munari – Authority today

Direction: Sergio Mazza
Editing: Giuliana Gramigna
Collaboration: Grazia Gamberoni
Graphics: Unimark
Photographs: Ardessi, Ballo, Basilico, Bassi, Crabb, Porters, Fortunati, Fotoservice, Masera, U. Mulas, Publifoto, Sponga, Studio 22,
CO.P.IN.A. s.r.l.
Printing: Poligrafico Colombi S.p.A –

Details

Linked Information

Ottagono 22, 1971. Designed by Unimark
Ottagono 22, 1971. Designed by Unimark
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Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.