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R. Airoldi, M. Albini, C. Fazzini – The university structures
Gianfranco Frattini – Jewellery in the shop window
Giorgio and Pierangelo Pavesi – American Bar
Studio Passarelli and collaborators – IMI Congress Hall
Giorgio Bellavitis, Nani Valle – Ca ‘Giustinian Pesaro, new office building
Pier Carlo Santini – E. Acerbis, A. Manoukian, L. Prina
Meetings with the protagonists: Vittoriano Viganò
University college in Milan
E. Acerbis, A. Manoukian, L. Prina – Women’s center in Ponte San Pietro
Herbert Öhl – Technology and design
Örni Halloween – Lights under the dome
Gae Aulenti – Bright glasses
St. G4 P. De Martini, G. Falconi, F. Fois – Metamorphosis for an armchair
Cini Boeri – Seat in tube and canvas
Vico Magistretti – Flanders
Piero De Martini – the Barca system
Gaetano Pesce – Sit Down
Attilio Marcolli – The laboratory of vision
Antonio Rossin – The tower of ’89, Reports
Guido Ballo – The sculptures of Carlo Mo from Madagascar to the Naviglio
From a letter from Alessandro Mendini
Direction: Sergio Mazza
Editing: Giuliana Gramigna
Collaboration: Luigi Bearzotti
Graphics: Salvatore Gregorietti (Unimark)
Photographs: Allegri, Ancillotti, Anghinelli, Dance, Cameraphoto, Campi, Capellini, Jodice, The Stone, Masters, Maggi, Masera, Mininno, Mulas, Petraroli, Photo Team, Vahramian.
CO.P.IN.A. s.r.l.
Printing: Ricordi Graphic Arts Milan
Responsible director: Sergio Mazza

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Ottagono 39, 1975. Designed by Salvatore Gregorietti (Unimark)
Ottagono 39, 1975. Designed by Salvatore Gregorietti (Unimark)
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From the design archive:
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Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.