Information

Content includes:
Marcello Bean – Le Corbusier 1930
Alfredo Bonetti, Pierluigi Gerra – Living room in the attic
Annig C. Sarian – Recovery of a house
Eros M. Noè, Franco Zambello – Residence in Pavia
Pino Pini, Ettore Zerbi – Look out over the living room
Achille Castiglioni, Giancarlo Pozzi – 10000 meters to exhibit
Pier Carlo Santini – Meetings with protagonists: Carlo Aymonino
Studio M.S.C. with Gian Paolo Valenti – Church in Nova Milanese
Marco Dezzi Bardeschi – Building in Florence
Lazzarini, Ruggeri, Tartaglia – Furniture exhibition in Lombardy
Claudio Longo, Giulio Ricci – Building for offices in -Milan
Giuseppe Biondo – Building industrialization
Venosta, Zimmerman, coll. Arflex – Office variable
Rolf Heide – Box Set
Tecno Project Center – 333 series, Thus was born the bookshop of Carlo Scarpa
Achille Castiglioni, coll. Paolo Ferrari – A system of dihedrals
Gabriella Padovano – Notes on drawing and project
Guido Ballo – Pistoletto at Palazzo Grassi

Direction: Sergio Mazza
Editing: Giuliana Gramigna
Collaboration: Luigi Bearzotti
Graphics: Salvatore Gregorietti (Unimark)
Photographs: Anghinelli, Becker, Carlotto, Centro Kappa, Maffei and Ranghini, Masera, Pellion di Persano, Photo Team, Quarella, Schezen, Valenti, Zabban.

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Linked Information

Ottagono 44, 1977. Cover design by Salvatore Gregorietti (Unimark)
Ottagono 44, 1977. Cover design by Salvatore Gregorietti (Unimark)
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.