Content includes:
Giovanni Anceschi – Basic design, foundation of design
Salvatore Gregorietti – Typological atlas of writing
Giovanni Baule, Wando Pagliardini – The sign and the product
Italo Lupi – Graffiti of editorial graphics
Daniele Baroni – Archigraphy
Alessandro Ubertazzi – Is the message clear?
Pier Carlo Santini – Beyond the mark
Rosamaria Rinaldi – Gio Ponti: an example, an exception
Alessandro Mendini – Mendini’s opinion
Luigi Bearzotti – Graphics and controls
Luigi Bearzotti – One means: the camera
John Klaus Koenig – Suspense for the latest Stirling
Marcello Perugi – Windows to the sea
Anna Clerici, Maddalena De Molinari – Transparencies of light and color
Gianfranco Facchetti / G14 Design 96 – In Brescia in a historic building
Eugenio Gerli, coll. Gerli and Remigi – Banca Popolare in Puglia
Marcello Armani – In Trento between glass and greenery
Fredi Drugman / Int. Enrico Jacomella – Valchiavenna Library
Dante Benini – A space-environment
Piero Polato – A laboratory-space
Franco Poli – Grapso
Tecno Project Center – Series 44
Tobia Scarpa – Celestia
Luigi Massoni, Giorgio Cazzaniga – In Milan
Direction: Sergio Mazza
Editing: Giuliana Gramigna
Graphics: Salvatore Gregorietti (Unimark)
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Illustration, Members Only Content, Regional Histories
Japan's first foreign film venue, Shochikuza Theatre (1923) is an icon of Modernism. Its Art Deco-influenced advertising, showcased in the 1925 Shochikuza News magazine, offers a glimpse into Japans influences from the West.
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Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories
This 1,500 word essay is about the life and work of Willem Sandberg and is illustrated with part of my collection of over 100 pieces of Sandberg’s work, including books, Stedelijk Museum catalogues, and various individual printed items.
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"Talking about myself as a designer is something that requires a powerful dialogue with my life experiences. In a radical way, I apply an exercise in which design forms become projections of life, extensions of meaning that constantly involve senses."
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