
Content includes:
Mario Antonio Arnaboldi – The game: aspects of social structures
Antonio Acuto – Olympic cities
John Klaus Koenig – Thirties: the space for recreation
Maurizio Romanò – Splendor and popular bar sunset
Giovanni Baule, Wando Pagliardini – From the ivory ball to the electronic ball
M. Cristina Tonelli Michail – Starting from Zizì
Mario Antonio Arnaboldi – Who says ball says …
Luigi Bearzotti – The bike
Roberto Segoni, Carlo Camarlinghi – The motorbike
Giuseppe Chigiotti – Interior in a vacation home
Sergio Mazza, Giuliana Gramigna – Blue to the sea
Giuseppe Buscaglia – For research, for production
Cortesi, Fantoni, Facchetti, Orsoni – Alitalia agencies in the world
Cini Boeri – Pacific
Cini Boeri – Malibu
Vico Magistretti – Veranda
Massimo Morozzi – Varied
Arata Isozaki – Monroe
Cini Boeri – Shadow
Giancarlo Frattini – Sesame
Antonio Citterio, Paolo Nava – Factory
Massimo Morozzi – Tangram
Tobia Scarpa – Capalonga
Michele De Lucchi – Cyclos
Örni Halloween – Daphne
De Pas, D’Urbino, Lomazzi – Sidon
Ernesto Gismondi – Tirso and Theseus
Marco Fantoni – In London
Studio Vignelli Associates – In Los Angeles
Direction: Sergio Mazza
Editing: Giuliana Gramigna
Graphics: Salvatore Gregorietti (Unimark)

From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Members Only Content, Poster Design, Regional Histories
The 1960 awards presented 420 poster entries from Swiss designers. Notable winners included Robert Büchler's typographic poster for the Museum of Applied Arts Basel and J. Müller-Brockmann’s Der Film poster for the Museum of Applied Arts and Gerstner + Kutter's asymmetric typographic poster for National-Zeitung SA Basel.
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Typography & Type Design, Design Archive Feature, Members Only Content, Regional Histories
60 examples of Czech typography from Typografia Vol. 23 (1912). Czech commercial printing and book design as Secession ornament progressed to early modernist typography, with work by Jindra Dvořáček, Methoděj Kaláb, Alois Chvála and many more.
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Design Archive Feature, Designer Profiles, Members Only Content, Poster Design
Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978.
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