Information

Content includes:
Mario Antonio Arnaboldi – The game: aspects of social structures
Antonio Acuto – Olympic cities
John Klaus Koenig – Thirties: the space for recreation
Maurizio Romanò – Splendor and popular bar sunset
Giovanni Baule, Wando Pagliardini – From the ivory ball to the electronic ball
M. Cristina Tonelli Michail – Starting from Zizì
Mario Antonio Arnaboldi – Who says ball says …
Luigi Bearzotti – The bike
Roberto Segoni, Carlo Camarlinghi – The motorbike
Giuseppe Chigiotti – Interior in a vacation home
Sergio Mazza, Giuliana Gramigna – Blue to the sea
Giuseppe Buscaglia – For research, for production
Cortesi, Fantoni, Facchetti, Orsoni – Alitalia agencies in the world
Cini Boeri – Pacific
Cini Boeri – Malibu
Vico Magistretti – Veranda
Massimo Morozzi – Varied
Arata Isozaki – Monroe
Cini Boeri – Shadow
Giancarlo Frattini – Sesame
Antonio Citterio, Paolo Nava – Factory
Massimo Morozzi – Tangram
Tobia Scarpa – Capalonga
Michele De Lucchi – Cyclos
Örni Halloween – Daphne
De Pas, D’Urbino, Lomazzi – Sidon
Ernesto Gismondi – Tirso and Theseus
Marco Fantoni – In London
Studio Vignelli Associates – In Los Angeles

Direction: Sergio Mazza
Editing: Giuliana Gramigna
Graphics: Salvatore Gregorietti (Unimark)

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Linked Information

Ottagono 71, 1983. Designed by Salvatore Gregorietti (Unimark)
Ottagono 71, 1983. Designed by Salvatore Gregorietti (Unimark)v
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From the design archive:
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More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.