Content includes:
Roberto Mango – The Great Number
Vico Magistretti – the thought of a designer
Angelo Mangiarotti – Seamless light
Franco Cassina – The thought of a producer, Standard processing for an armchair modular, The standard furniture in its applications for the community
Vittorio Mazzucconi – Architecture and Society in America, A kitchen on the assembly line
Dino Origlia – Quantity friendly to quality
Marcello Pietrantoni and Carla Venosta – Club restaurant
Vittorio Gregotti – The house of Asti
Carlo Bartoli – Apartment in Milan
Tobia Scarpa – Lighting as a sensation and atmosphere
Osvaldo Borsani – New series for executive offices
Giuliano Angelucci, Vincenzo Bacigalupi, Benito Boni Vincenzo Duster – Preparation for a congress
Pier Carlo Santini – Aspects of architecture: Images of Venetian architecture, News and design innovations
Guido Ballo – Encounters with art: Ugo Mulas O of the photo-language
Where to buy
Shops abroad
Direction: Sergio Mazza
Editing: Giuliana Gramigna
Graphics: Bob Noorda / Unimark
Photographs: Ballo, BN & C, Casali, Clari, Gigipi, Masera, Mulas, Orsi, Photos
Direction, editing, administration, advertising:
Milan, via Melzi d’Eril, 26, tel. 315407-315508
Publisher: CO.P.IN.A. s.r.l.

From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories
Kazumasa Nagai (永井 一正) was born in 1929 in Osaka and is one of Japan's most acclaimed graphic designers. He designed iconic corporate logos for major companies such as Mitsubishi UFJ, Japan Railways, Nissin, and TEPCO and designed 100s of posters.
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Design Archive Feature, Members Only Content, Poster Design, Regional Histories
Gebrauchsgraphik 08, 1964 features a selection of the German Posters entered into the 1963/64 awards. 22 posters were awarded by the Association of German Commercial Artists and the awards showcased some of the best poster designs of the year, that still remain effective and stylish today.
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Advertising Design, Design Archive Feature, Members Only Content, Regional Histories
A country is never dead so long as it has an art. Austria is a proof of this maxim. Its liveliness since the war is liveliness which has displayed itself in the arts to a remarkable extent : it deserves the world's admiration and respect.
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