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Graphic Design History from Design Reviewed
Paul Rand

Paul Rand (World Graphic Design 2), 1992

Information

Details

  • Format: Book
  • Designer/s: Paul Rand
  • Year: 1992
  • Client/Publisher: Ginza Graphic Gallery
  • Size: 135mm x 189mm

Linked Information

Ginza Graphic Gallery 02, Paul Rand
Ginza Graphic Gallery 02, Paul Rand
More graphic design artefacts
20 Jahre Deutsche Olivetti, 1971
From the design archive:

20 Jahre Deutsche Olivetti, 1971

  • Format: Brochure
  • Year: 1971
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Hard-Edge Collection = Collection "hard-edge". Ottawa, 1975
From the design archive:

Hard-Edge Collection = Collection “hard-edge”. Ottawa, 1975

  • Format: Exhibition Catalogue
  • Designer/s: Eiko Emori
  • Year: 1975
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Form und Technik, 1, 1964
From the design archive:

Form und Technik, 1, 1964

  • Format: Magazine
  • Year: 1964
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Atlas Filmheft 86 - Ohne Dollar keinen Sarg designed by Fischer-Nosbisch
From the design archive:

Atlas Filmheft 86 – Ohne Dollar keinen Sarg

  • Format: Film Programme
  • Designer/s: Fischer-Nosbisch
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More graphic design history articles

Members Content

Süddeutsche Rundfunk, Brochures, 1959-60. Designed by Hans Geipe
  • Design Archive Feature, Members Only Content

Hans Geipel’s Brochure Designs for Süddeutsche Rundfunk (SDR)

A collection of letterpresses German brochures from 1959/1960 designed by Hans Geipel for Süddeutsche Rundfunk (SDR), the South German Radio Network based in Stuttgart.
Taxilan Adverisment designed by Atelier Theo Häussler
  • Design Archive Feature

Atelier Theo Häussler – Designing for the Pharmaceutical Industry by Carl Heussner, 1963

Theo Häussler's commercial art is distinguished by its clear and disciplined form and its distinct advertising message.
Modern Man in the Making, Lars Muller Publishers, 2024
  • Design Books

Otto Neurath’s Pioneering Book. Modern Man in the Making

The book "Modern Man In The Making" (1939), is a fantastic example of Neurath's work. The book uses Isotype's principles with text to illustrate complex societal issues like globalisation and war's impact on economies, prioritising visual recognition through symbols to aid in memorability—a philosophy that remains paramount in design today.

Members Content

Juan Carlos Distefano, Ruben Fontana and Carlos Soler, Poster, 1969
  • Design Archive Feature, Members Only Content

Further examples of the collaboration of Juan Carlos Distéfano, Ruben Fontana and Carlos Soler

In my previous article about the design work produced for Insituto di Tella, I touched upon the artists Juan Carlos Distéfano, Ruben Fontana and Juan Andralis. After further research, I found a suite of other designs they had produced, including exhibition posters, concert programmes and record sleeves.