
The cover was designed by Charles E. Dawson

From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Members Only Content
An overview of graphic design in 1900, exploring Art Nouveau, the Eckmann-Schrift typeface, the Steglitz Workshop, the Doves Press and more, illustrated with artefacts from the Design Reviewed archive.
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Advertising Design, Design Archive Feature
Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.
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Design Archive Feature, Designer Profiles, Members Only Content, Poster Design
Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978.
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