Rudolph de Harak

Perspektiven, Literatur, Kunst, Musik, 12, 1955

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Rudolph de Harak ran his own design studio in New York, where he worked across design disciplines including the design of  trademarks, posters, brochures, book, magazine and record covers, wall graphics, institutional advertising, industrial design, furniture and street decorations, sculptures, exhibitions; environmental graphics and signs.  He taught at many American institutes and also created the United States pavilion for Expo 70 in Osaka; the series «Man, his planet, his space» (Canada at Expo 67) and the entire decoration of the ground floor of an office skyscraper in New York (127, John Street), including the facade writings, external decorations, benches and steel sculptures.

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Perspektiven, Literatur, Kunst, Musik, 12, 1955. Cover design by Rudolph de Harak
Perspektiven, Literatur, Kunst, Musik, 12, 1955. Cover design by Rudolph de Harak
Rudolph de Harak ran his own design studio in New York, where he worked across design disciplines including the design of  trademarks, posters, brochures, book, magazine and record covers, wall graphics, institutional advertising, industrial design, furniture and street decorations, sculptures, exhibitions; environmental graphics and signs.  He taught at many American institutes and also created the United States pavilion for Expo 70 in Osaka; the series «Man, his planet, his space» (Canada at Expo 67) and the entire decoration of the ground floor of an office skyscraper in New York (127, John Street), including the facade writings, external decorations, benches and steel sculptures.
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Elizabeth Resnick is a Professor Emerita, former chairperson of the Graphic Design Department, and current part-time faculty at Massachusetts College of Art and Design, Boston, Massachusetts, since 1977. She ran her own independent Boston design studio from 1973 to 1996, working with many high-profile clients and is a passionate design curator who has organized seven comprehensive design exhibitions. I interviewed Elizabeth about her journey in the field, her early influences and some of the many items in her collection.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
The book "Modern Man In The Making" (1939), is a fantastic example of Neurath's work. The book uses Isotype's principles with text to illustrate complex societal issues like globalisation and war's impact on economies, prioritising visual recognition through symbols to aid in memorability—a philosophy that remains paramount in design today.
Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.