‘Since it was first published in 1969, ‘Pioneers of modern typography’ has served as the standard guide to the impact of twentieth century avant-garde movements on graphic design and typography. Herbert Spencer’s substantial introduction examines the origins and artefacts of the revolution in graphic design and carefully disentangles the respective influences of Futurism, Dadaism, De Stijl, Suprematism, Constructivism, and the Bauhaus. Spencer traces the interactions of the key personalities associated with these movements and presents concise biographical sketches of them.’
Design & Politics, Design Archive Feature, Members Only Content, Movements, Regional Histories
The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.
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Advertising Design, Design Archive Feature, Members Only Content, Studios & Collectives
Gerstner, Gredinger + Kutter's advertisments for Merkur and the problem of ideographs, with a translated article by Masaru Katzumie from Graphic Design 15, April 1964
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Design Archive Feature, Design Education, Members Only Content, Movements
The Bauhaus approach to design emphasised simplicity, functionality, and the integration of modern technologies and materials. A century later, many of the principles taught at the school remain fundamental to contemporary design practices.
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