Content includes:
Gold-plated print
Design for export
Export orders and a state of mind: David J. Reason
Decorated edition bindings from Germany
Jonathan Wells commentary: a pick-up
Graphic designers in Britain – Tom Eckersley: J. J. de L. Meyer
René Elvin’s London Letter
The Bloomsbury scene – consider the lilies: Cyril Baxter
News and commentary on what’s new
Readers’ comment
Competitions for designers
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Design Translated, Designer Profiles, Members Only Content
A 1936 article on Ludwig Hohlwein, originally in German, published in Graphische Nachrichten, Vol 13, 11, November 1934
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Design Archive Feature, Members Only Content, Poster Design, Regional Histories, Studios & Collectives
A total of 24 posters were created for the campaign during 1964, using the arrow symbol as a key features, representing power, motion and speed. The handmade lithographs use up to 19 colours, which were individually printed at large scale. The posters also utilise the brand colours red and yellow from Shells corporate identity.
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Design Archive Feature, Illustration, Members Only Content, Studios & Collectives
After researching further into the work designed by their practice, I found ten programmes designed between 1958 and 1960. These programmes were designed for a variety of live jazz events in Germany and all followed the same format.
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