Content includes:
Sounding the Clarion
Using a Second Colour by John C. Tarr
The Eye in Typography by F. G. A. Scott
The World Paper Trade by Vincent Smith
A Printer’s War by A. W. Wesselius Jr.
The Setting of Plays by David Thomas
From Craft to Industry by Ellic Howe
Action and Reaction. A reply by Bernard Johnson
The Italic Trend by E. C. Thwaites
Impressions of British Printing by Israel S. Ajayi – Stamps Feature Printing by Eric L. Adlem – – Edwards of Halifax by Frank Haigh
Doubling Final Consonants by H. Jacob
A Case of Odd Sorts by Caxton Morris
A New Electrotyping Process –
The Plastic Rotary by E. G. Hole
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories
Takenobu Igarashi was born in 1944 in Tokyo and is best known for his typographic work as both a sculptor and designer. His work in over 30 permanent museum collections and continues to inspire designers today.
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Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories
Max Huber was born in 1919 in Switzerland. He studied at the Kunstgewerbeschule (School of Arts and Crafts) in Zurich where he excelled in graphic design and photography. Huber worked across advertising, packaging, design and industrial design. He had a distinctive style that skillfully blended bright hues with photomontage.
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How design can transcend the logics, structures, and subjectivities of capitalism: a framework, theoretical grounding, and practical principles. A new book published by MIT Press written by Matthew Wizinsky.
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