Content includes:
Sounding the Clarion
Using a Second Colour by John C. Tarr
The Eye in Typography by F. G. A. Scott
The World Paper Trade by Vincent Smith
A Printer’s War by A. W. Wesselius Jr.
The Setting of Plays by David Thomas
From Craft to Industry by Ellic Howe
Action and Reaction. A reply by Bernard Johnson
The Italic Trend by E. C. Thwaites
Impressions of British Printing by Israel S. Ajayi – Stamps Feature Printing by Eric L. Adlem – – Edwards of Halifax by Frank Haigh
Doubling Final Consonants by H. Jacob
A Case of Odd Sorts by Caxton Morris
A New Electrotyping Process –
The Plastic Rotary by E. G. Hole
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Advertising Design, Design Archive Feature, Magazines & Publishing, Members Only Content
Before ascending to fame within the contemporary art scene, Warhol enjoyed a thriving career as a commercial artist. His illustration work was commissioned by various magazines, including The New Yorker, Vogue, and Harper's Bazaar.
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Design Archive Feature, Illustration, Members Only Content, Studios & Collectives
Winter + Bischoff’s work blends fine art and graphic design and is a fine example of commercial design featuring a heavy use of stylistic illustration. In fact a lot of German graphic design in the 1960s has this strong relationship of commercial and professional typographic layout with the roughness and organicness of art.
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Design Archive Feature, Members Only Content, Poster Design, Regional Histories, Studios & Collectives
Ian McLaren and Ken Briggs produced exceptional work for a range of clients in the arts and culture sector. Their client included CND (Campaign for Nuclear Disarmament), The National Theatre and the Arts Council.
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