Content includes
Good Work, 7
Newspaper Printing Problems by H G Clarke, O B E
Colour Photography Today by D A Spencer, PH D
Rebuilding from Scratch. The Planning and Construction of John Wright & Sons, Ltd., Bristol
Letters from Slate Headstones by Stanley Hickson
Microfilming can Solve Problems
Standards Simplify Printing by L G Watkins
Books for Printers
School and College. 8-page coloured inset by the London School of Printing and Graphic Arts
Those were the Days by George Rowles
Illustration and Decoration. Three Book Reviews by J G Dreyfus
A New Exhibition of British Book Design: some suggestions by Hugh Williamson
Printing Classes in Edinburgh; the Development of a Scheme by Frank P Restall
Invitations
Restyling Technical Trade Journals by Kenneth Day
Maps from Type translated by W P Jaspert
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Corporate Identity & Branding, Design Archive Feature, Members Only Content, Regional Histories, Studios & Collectives
The identity manual consisted of 130 pages of information and brand usage with Arie J. Geurts heading up the project as design director, (who later headed up his own design studio in Los Angeles). The identity uses minimal colour and focuses on a consistent brand blue in all communications.
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The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.
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Design Archive Feature, Illustration, Members Only Content, Regional Histories
Illustrated tourist brochures designed by Alain Cornic. Little is known about Cornic, at least in the magazines and books I have collected, his clients included Shell, Air France and the French Tourist Office.
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