Waldemar Świerzy - Graphic Designer - Poland

Projekt 111, 2, 1976

Information

The Polish Journal of visual art and design

Details

Waldemar Świerzy, born in 1931 in Katowice, graduated from the Cracow Academy of Fine Arts (Graphic Arts Department) in Katowice in 1952. He worked as a freelance graphic artist and poster designer, creating over a thousand posters.

Linked Information

Projekt 111, 2, 1976. Cover design by Waldemar Swierzy
Projekt 111, 2, 1976. Cover design by Waldemar Swierzy

 

Waldemar Świerzy, born in 1931 in Katowice, graduated from the Cracow Academy of Fine Arts (Graphic Arts Department) in Katowice in 1952. He worked as a freelance graphic artist and poster designer, creating over a thousand posters.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Both educators have a keen interest in multiscriptual design, Arabic type design, and graphic design and recently released A History of Arab Graphic Design. I contacted Bahia and Haythem to find out more.
“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.
"Rudy is one of the unsung pioneers of American mid-century modernist graphic design. He had a unique and definitive point of view that was really never celebrated. This may have been attributed to his strict adherence to the formal principles of modernism and the International Typographic Style."

Members Content

A 1,500 essay on the transformative era of graphic design from the 1970s to the 1990s. Moving beyond the constraints of modernism, designers like Wolfgang Weingart and April Greiman redefined visual communication through bold experimentation with type, colour, and early computer graphics. This essay highlights how postmodernism and New Wave design introduced complexity, individuality, and digital innovation in to graphic design.