Publimondial 27. 1950

Information

International Journal of Graphic Arts and Advertising Techniques.
Content includes:
American Association of AdvertisIng Agencies by Frédéric R. Gamble.
An Imagier-Artist In Advertising Bernard Baudouin by J. V.
Belgium’s National Travel Agency by Arthur Haulot (Tourist Commissioner in Belgium)
Publicity Serves: A Metropolis by Claude Robillard.
Travel in France by Georges Martina
Light And Architecture by M. Deribere
Tourist Publicity In Italy by Dino Villani
Posters from Here and There, Transportation Advertising by G. M
Publicity And Psychology by Marcel Nancey
The Tour De France a First Class Publicity Stunt by Amédée D’yvignac
The Advertising World

Details

Linked Information

Publimondial N° 27. 1950, cover Design by Bernard Baudouin
Publimondial N° 27. 1950, cover Design by Bernard Baudouin
Publimondial 27. 1950
Publimondial 27. 1950
Publimondial 27. 1950
Publimondial 27. 1950
Publimondial 27. 1950
Publimondial 27. 1950
Publimondial 27. 1950
Publimondial 27. 1950
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Members Content

Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.

Members Content

Wolfgang Bäumer's advertising design for Bayer, Klöckner Works and the Lottery. His adaptable design aesthetic alongside his skills of convening messaging through visuals are fantastic examples of mid-century German graphic design.
Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.

Members Content

The typographic supplement from Der Druckspiegel, October, 1961 features typographic compositions designed by Herbert Bossin. Bossin has solely used the typeface Folio, to illustrate its flexibility and versatility alongside imagery provided by Lothar Blanvalet Verlag.