Information

International Journal of Graphic Arts and Advertising Techniques.
Content includes:
The Belgian Advertising Syndicate. Its Aims, Interests and Achievements by Egide Bouchez
P. Fix-Masseau by P. R
One Year of Advertising with Pathé-Baby
A Balance Sheet of French Posters 1950 by Raymond Gid
Interflora, Or Flowers By Telegraph by Georges Marlina
A Century In Printed. Specialising In Posters by Jean Bauwens
Aches Pains And Remedies Throughout The Ages by Rene-Jean Ottoni
Sabena Displays
Station Advertising by G. L
Say It With Flowers by Willy Haymann..
Epilogue to The Story of a Poster by Publimondial
The International Advertising Union
The First National Convention Of Italian Advertisers

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Linked Information

Publimondial 30, 1950, cover design by Pierre Fix-Masseau
Publimondial 30, 1950, cover design by Pierre Fix-Masseau
Publimondial 30, 1950
Publimondial 30, 1950
Publimondial 30, 1950
Publimondial 30, 1950
Publimondial 30, 1950
Publimondial 30, 1950
Publimondial 30, 1950
Publimondial 30, 1950
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.