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Content includes:
Advertising and Man by M. Guigoz
Leonetto Cappiello by Sepo
One kilog of reading by R. L. Dupuy
Retrospective exibition about movies poster by Rojac
The chinese seals by Chou Ling
The young poster drawers by L. Chéronnet
Raymond Peynet or the Optimist by Emile-Jean
The art of poster by A. Girardclos
Caligraphic amusements by Saint-Yon
Eric Poncy, a genevese drawer Table, Time and Love by P. Ternat
Mexican Advertising by M. Mate
My Goodness, My Guinness by M. Rameaut
The free Radio by L. Merlin
New Advertising films by J. Clodion
A lottery behind the barbed wires by A. Bayhourst

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Linked Information

Publimondial 7, 1947. Cover design by Eric Poncy
Publimondial 7, 1947. Cover design by Eric Poncy
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.