Rassegna 12, Architectire in the Avant-Garde Magazines, 1982

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Content includes:
I dispacci dell’avanguardia by Jacques Gubler
Centralita e periferia: il contributo dell’Europa Centrale by Antoine Baudin
Memorie de Bucarest by Radu Stern
Manometre: architettura sotto pressione e gravita della scrittura by Richard Quincerot
Il momento Inglese by Broan Hanson
Gli anni del Contro by Franco Raggi
La rete delle reviste
Il cotto: Evoluzione e prospettive di un materiale “antico” Habitema
Ricerca e nascita di un prodotto: iGuzzini illuminazione
Marlo: Il letto come “unita integrata” [On progetto di Afra e Tobia Scarpa, Molteni & C.]
La cerniera elemento portante: Dal particolare al generale, Ariston
Un nuovo spazio espositivo: Un progetto di Antonio Citterio, B&B Italia
Penelope: Un progetto di Charles Pollock, Castelli

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Rassegna 12, Architectire in the Avant-Garde Magazines, 1982
Rassegna 12, Architectire in the Avant-Garde Magazines, 1982
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Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.