

Gregotti, Vittorio (editor)
Contents include:
Ulm Revisited by Tomas Maldonado
The HfG in ULM by Marina Bistolfi
The Contribution of the Scientific Teaching to the HfG by Martin Krampen
Ulm and Italy: Rodolfo Bonetto, Enzo Fratelli, Pio Manzu, Andried van Onck, Hans vin Klier and Willy Ramstein by Giovanni Anceschi e Piero G. Tanca
The Diaspora. Self-Portraits of Twenty Protagonists of the HfG: William S. Huff, Almer Mavignier, Kohei Sugiura, Tomas Goonda, Michael Klar, Giovanni Anceschi, Otl Aicher, Karl-Heinz Krug, Bernd Meurer, Sudhakar Nadkarni, Kerstin Bartlmae, Gui Bonsiepe, Alexander Neumeister, Herbert Lindinger, Michael Conra, Herbert Ohl, Dominique Gilliard, Gunter Schmitz, Claude Schnaidt and Hans Roericht
L’involucro espositivo: Allestimenti a Colonia e Parigi, Un progetto di Dante Benini for Ariston Beaubourg analago: Palazzina per uffici a Novedrate, Progetto dello Studio Piano and Rogers for B&&B Italia
Apta: Una sedia dinamica per la collettivita, Castelli
La luce artificiale: Caratteristiche principali e criteri di illuminazione (quarta parte), iGuzzini illuminazione
Architetture razionali: “108”, disegno di Luca Meda for Molteni and Co.
La funzione comunicativa: Progetti di bottoniere per ascensori, Sabiem


Advertising Design, Design Archive Feature, Members Only Content, Regional Histories
This article is part of my ongoing effort to spotlight the unsung heroes of design history. I'm especially passionate about sharing voices and designs that have been overlooked or forgotten. In this piece, I focus on the work of 1980s American graphic designers, in particular, the women who broke boundaries and shaped American visual culture.
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Advertising Design, Design Archive Feature, Members Only Content, Studios & Collectives
The advertising has a certain contrast of hand-drawn and mechanical. Produced entirely in black, it reminds us that the absence of colour can be highly effective. Hans Michel and Günther Kieser's illustrations bring a sense of both playfulness and a stylistic approach to a corporate client.
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The stories of Norwich’s medieval merchants’ marks is being told in a new book and exhibition.
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