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Graphic Design History from Design Reviewed

Rassegna 2, Ferrovie Delo Stato 1900/1940, 1980

Information

Content includes:
Ferrovie, servizi, territorio by Guglielmo Zambrini
Cento anni di ferrovie italiane. Quale imagine? By Angelo Tito Anselmi
Redazione: Il problema del coordinamento progettuale delle ferrovie italiane
Il disegno del veicolo ferroviaro. La vettura by Roberto Segoni
Il disegno del veicolo ferroviaro. Le locomotive elettriche by Erminio Mascherpa
Il disegno del veicolo ferroviaro. Automotrici ed elettrotreni by Giovanni Klaus Koenig
Le stazioni del regime by Pierpaolo Saporito
Ritorno alla stazione di Firenze by Vittorio Savi

Details

  • Format: Magazine
  • Year: 1980
  • Size: 235mm x 305mm

Linked Information

Rassegna 2, Ferrovie Delo Stato 1900/1940, 1980
Rassegna 2, Ferrovie Delo Stato 1900/1940, 1980
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Idea 010, 1955. Cover design by Herbert Bayer
From the design archive:

Idea 010, 1955

  • Format: Magazine
  • Designer/s: Herbert Bayer
  • Year: 1955
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Collection Peter Stuyvesant, sculptures Italiennes contemporaines, Musée des Beaux Arts, 1966. Designed by Wim Crouwel (Total Design)
From the design archive:

Collection Peter Stuyvesant, sculptures Italiennes contemporaines, Musée des Beaux Arts, 1966

  • Format: Exhibition Catalogue
  • Designer/s: Wim Crouwel (Total Design)
  • Year: 1966
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Bulletin 1, 11th Olympic Congress, International Cooperation in Sport, 1981. Designed by Büro Rolf Müller
From the design archive:

Bulletin 1, 11th Olympic Congress, International Cooperation in Sport, 1981

  • Format: Book
  • Designer/s: Büro Rolf Müller
  • Year: 1981
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Visible Language (The Journal of Typographic Research, Vol 04, 02, Spring 1970
From the design archive:

Visible Language (The Journal of Typographic Research), Vol 04, 02, Spring 1970

  • Format: Magazine
  • Designer/s: Jack Stauffacher
  • Year: 1970
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Members Content

Trademarks of the World, Yusaku Kamekura, 1958
  • Design Archive Feature, Members Only Content

Paul Rand on Japanese Trademark Design

Paul Rand, one of the most acclaimed American designers is known for his iconic corporate identities, playful illustration and commercial art. Paul wrote the preface for Yusaku Kamakura's book, Trademarks of the World, 1958. He states his influence of Japanese art and design, trademarks as a universal language and his struggles with English grammar.
Systematic Surface Design
  • Design Archive Feature

Systematic Surface Design by Tobias Christoph, 1980

Systematic Surface Design eliminating the hindrance of searching for strategies and starting points, allowing designers to quickly find optimal solutions.
Idea 81, 1967. Cover design by Yusaku Kamekura
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Elements of Idea “The Arrow” by Shigeo Fukuda, 1973

The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.

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Kast + Ehinger (K+E) Advertisement. Back page of a 1960s issue of Gebrauchsgraphik. Designer Unstated
  • Design Archive Feature, Members Only Content

The 1950s and 1960s Advertisements of Kast + Ehinger (K+E)

As part of their marketing strategy, Kast + Ehinger, commissioned a selection of German designers to produce advertisements aimed at the design industry. I have scanned in quite a lot of their advertising matter, all of which were back-page advertisements from three German design magazines. Der Druckspiegel, Gebrauchsgraphik and Graphik – Werbung + Formgebung.