Rassegna 3, I Clienti de Le Corbusier, 1980

Information

Content includes:
La questione del clitne by Pierre-Alain Croset
Dall-orologica alla farfalla by Jacques Gubler
E i mobili? Me lo chiede? By Julius Posener
La matita del cliente by Tim Benton
Le Corbusier e l’Arlecchino by Pierre Saddy
Una conversazione con Heidi Weber by Pierre-Alain Croset
Il progetto Wanner by Christian Sumi
Il nostro cliente e it nostro padrone by Jean-Louis Cohen
Piuttosto visionario . . . by Brian Brace Taylor
A Roma con Bottai by Giorgio Ciucci
Sul cantiere di Marsiglia by Daniele Pauly
Le Corbusier a Mosca by Christian Borngraber
I clienti di le Corbusier by Brigitte de Cosmi e Pierre-Alain Croset
Sistema parete [Partizione interne per l’edilizia industrializzata Castelli]
Una ceramica per l’interno e l’esterno [La Monocottura Ragno]
I proiettori UFO [Tecnologia per la luce iGuzzini]
Morna [Filosofia di un letto: Un progetto di Afra e Tobia Scarpa, Molteni & Co.]
OSA — Open System Ariston [Un progetto di Makio Hasuike]
Diesis [Un esempio di coerenza: Un progetto di Antonio Citterio e Paolo Nava, B&B Italia]

Details

Linked Information

Rassegna 3, I Clienti de Le Corbusier, 1980
Rassegna 3, I Clienti de Le Corbusier, 1980
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Max Huber was born in 1919 in Switzerland. He studied at the Kunstgewerbeschule (School of Arts and Crafts) in Zurich where he excelled in graphic design and photography.  Huber worked across advertising, packaging, design and industrial design. He had a distinctive style that skillfully blended bright hues with photomontage.

Members Content

As part of their marketing strategy, Kast + Ehinger, commissioned a selection of German designers to produce advertisements aimed at the design industry. I have scanned in quite a lot of their advertising matter, all of which were back-page advertisements from three German design magazines. Der Druckspiegel, Gebrauchsgraphik and Graphik – Werbung + Formgebung.
In the late 1960s, IBM was one of the world’s pre-eminent corporations, employing over 250,000 people in 100 countries. While Paul Rand’s creative genius has been well documented, the work of the IBM staff designers who executed his intent outlined in the IBM Design Guide has often gone unnoticed.

Members Content

Notes on transit and network map design, including the iconic London Underground map by Harry Beck, the importance of visual clarity, and the role of accessible design in timetable design.