Rassegna 6, Il Campo della grafica italiana, 1981

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Content includes:
Giovanni Anceschi – The field of Italian graphics: history and problems
A red B between two points. Interview – Antonio Boggeri
Omar Calabrese – A design posology
The field of Italian graphics: projects
Texts by Renato Giovannoli,
Tomàs Maldonado, Franco Fortini, Maurizio Ferraris, Isabella Pezzini
The shape of the tiles – Ceramiche Ragno
External lighting system – A project by Bruno Gecchelin iGuzzini
Mou and Monk. Tables and chairs
A project by Afra and Tobia Scarpa – Molteni & C.
Design DI – A project by Makio Hasuike
Spaces for the kitchen – Ariston
Alanda – A project by Paolo Piva
Form, balance, use – B&B Italia
Structures-furniture – An application of the Pert integrated to an architecture
Castles

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Rassegna 6, Il Campo della grafica italiana, 1981
Rassegna 6, Il Campo della grafica italiana, 1981

 

Rassegna 6, Il Campo della grafica italiana, 1981
Rassegna 6, Il Campo della grafica italiana, 1981

 

Rassegna 6, Il Campo della grafica italiana, 1981
Rassegna 6, Il Campo della grafica italiana, 1981

 

Rassegna 6, Il Campo della grafica italiana, 1981
Rassegna 6, Il Campo della grafica italiana, 1981
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Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.