Rosencrantz and Guildenstern are Dead, The National Theatre, London, 1967

Details

  • Format Programme
  • Designer/s Ken Briggs
  • Year 1967
  • Client/Publisher The National Theatre, London
  • Size 130mm x 230mm
Ken Briggs
Ken Briggs was born in 1931 in Derbyshire, studied at Chesterfield School of Arts & Crafts and later at the Central School of Arts & Crafts in London, alongside notable designers like Ken Garland and Colin Forbes. After National Service, he worked briefly as a typographer at Everetts. In the late 1950s, Ken freelanced for clients like the Arts Council and Rathbone Books while teaching part-time. In the 1960s, he won the design contract for The National Theatre, where his use of photography and Letraset set the visual tone for its future designs. Explore related designers including Ken Garland and Hans Schleger. See also British Modernism and 1960s graphic design history.

Linked Information

Rosencrantz and Guildenstern are Dead, The National Theatre, London, 1967 designed by Ken Briggs
Rosencrantz and Guildenstern are Dead, The National Theatre, London, 1967 designed by Ken Briggs

More graphic design artefacts
More graphic design history articles
Euro Deco. European Art Deco Graphic Design

Movements, Advertising Design, Design Archive Feature, Members Only Content

Euro Deco. European Art Deco Graphic Design

Art Deco graphic design history: its Paris origins, key pioneers Cassandre, Carlu and McKnight Kauffer, and how the style evolved across Britain, Germany, Italy, Spain and the US.

Read Article
The Logos and Symbols of Brazilian Designer, Aloísio Magalhães

Corporate Identity & Branding, Design Archive Feature, Members Only Content, Typography & Type Design

The Logos and Symbols of Brazilian Designer, Aloísio Magalhães

Magalhães developed over 180 brands and in addition to developing visual identities, he also developed designs for Brazilian notes and coins.

Read Article
Ornament and Identity: German Commercial Graphics from the 1900s

Design Archive Feature, Members Only Content

Ornament and Identity: German Commercial Graphics from the 1900s

German printer's plates from the early 1900s revealing how commercial graphic design shifted from Jugendstil ornament to modern identity design.

Read Article