The first book to explore the mutual influence of the groundbreaking modernists Kurt Schwitters, Joan Miro, and Hans Arp. Featuring approximately 100 key works, along with numerous reference images, this book explores the work of Kurt Schwitters, Joan Miro, and Hans Arp and the ways in which the artists influenced each others artistic pursuits. It examines the artists shared commitment to geometric forms over natural ones and their individual strategies for fusing painting and sculpture to mine the depths of assemblage. United by an impulse to renew and transform art, to “assassinate” painting, Schwitters, Miro, and Arp experimented with collage and assemblage in order to build on the achievements of Cubism and break with prior traditions. Not only did their work resonate within their own artistic circles, but it continues to inspire subsequent generations to this day.
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Advertising Design, Design Archive Feature, Members Only Content
Perusing an issue of Der Druckspiegel from 1962, I found these fantastic examples of Swiss Design, produced for the University Ball at the University in St. Gallen, Switzerland, in 1961. The advertising matter included posters, newspaper advertisements, cinema slides, invitation cards and a booklet.
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Helmut Schmid Typography explores the typographer’s oeuvre in its entirety. The book’s generous design allows each image to breathe, and the accompanying texts narrate Schmid’s life and career in an informative and pleasant manner.
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Design Archive Feature, Members Only Content, Poster Design, Regional Histories
One of the main features in Gebrauchsgraphik 08, 1962 is focused on the 1961/62 annual poster awards in Germany. Over 400 posters were submitted to the awards.
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