Kohei Sugiura - Japanese Graphic Designer

SD Space Design, No. 37, December 1967

Information


Commentary: SD NEWS/Book review
The meaning of contemporary artistic creation and appreciation: Damn you, petty bourgeois view of art / Takahiko Okada
Photogravure composition: Japanese contemporary art and its new climate: Questions about contemporary art once again / Otoro Sakazaki
Shinjuku Station West Exit Underground Plaza and its surroundings
A faceless world/Underground space / Yasuhiro Ishimoto
About the Shinjuku Station West Exit Plaza / Editorial Department
Ancient Inca City/The Ruins of Machu Bicchu / D. Swan
Two Ethnic Groups Living in the Desert/Arabs and Israelis / Takanori Makitani
Space Development and Urban Issues / Ikumi Hoshino
Theory / Jiro Hayashida
Common Sense? Answering Critics and Artists to the 1,000 Yen Note Incident / Otsuro Sakazaki
Statues of Tomio Miki / Takahiko Okada; Shuji Yamada
Airborne Furniture / Tetsuo Matsumoto
Exhibition of Posthumous Works by Nakamura Tsune / Tadao Ogura
Luisillo Spanish Dance Company / Kenichiro Shirahama
Overseas Architecture Information / Shinichi Okada
Characteristics of Modern Japanese Art ⑫ (Final) Expressions Facing Crisis / Takahiko Okada
Engineering for SD New High-Rise Buildings in North America ⑥ (Final) / Hideo Sugiyama
Records
・Tokai Bank Kuramichi Branch
・Awa Bank Head Office
・Fukoku Seimeikan
・Umeda Daiichi Building
・Suruga Building
・Sankaido Building
・Nishi-Hanshin Building
・Dick Building

Details

Kohei Sugiura’s work spans an impressive range of mediums, including record jackets, publication covers, posters, exhibition catalogues, and stamps. He perfectly merged functionality and data visualisation with aesthetics.

Linked Information

SD Space Design, No. 37, December 1967. Cover design by Kohei Sugiura + Teruo Tanabe
SD Space Design, No. 37, December 1967. Cover design by Kohei Sugiura + Teruo Tanabe
Kohei Sugiura’s work spans an impressive range of mediums, including record jackets, publication covers, posters, exhibition catalogues, and stamps. He perfectly merged functionality and data visualisation with aesthetics.
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