Soviet Commercial Design of the Twenties, M Anikst, E Chernevich, 1987

Information

Edited and designed by Mikhail Anikst
Introduction and texts by Elena Chernevich
‘The art of the Soviet avant-garde in the 1920s and 1930s has come to pervade many areas of life in the western world, from music and fashion to theatre and architecture. Now this book reveals for the first time one of the most original, influential and exciting aspects of post-Revolution art: commercial graphic design. Compiled and designed by the distinguished Soviet graphic artist Mikhail Anikst, this stimulating survey re-creates the period in all its richness and variety. Hundreds of the designs are reproduced from posters and book covers to sweet wrappers, cigarette- and match-boxes and every kind of packaging most of which have never been seen before outside the Soviet Union.
Their freshness and energy are irresistible, and the sense of purpose that underlies them all will be a lasting inspiration to designers and artists alike. With its wealth of previously unpublished illustrations this remarkable book will stand as the definitive account of one of the most crucial phases in the history of modern design.’

Details

Linked Information

Soviet Commercial Design of the Twenties, M Anikst, E Chernevich, 1987
Soviet Commercial Design of the Twenties, M Anikst, E Chernevich, 1987

 

Soviet Commercial Design of the Twenties, M Anikst, E Chernevich, 1987
Soviet Commercial Design of the Twenties, M Anikst, E Chernevich, 1987

 

Soviet Commercial Design of the Twenties, M Anikst, E Chernevich, 1987
Soviet Commercial Design of the Twenties, M Anikst, E Chernevich, 1987
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.