
‘”Tara,” Lithuanian for container or packaging, was a nickname given by artists working in the graphic design field for their place of employment, the Experimental Package Design Bureau, which was established in the early 1960s in Soviet-occupied Lithuania. During its most productive period between 1964 and 1984, the bureau employed more than 50 designers, who forged the aesthetics for Lithuania’s everyday products. While the names of many of the designers have been lost, intensive research has allowed for their work to be showcased in this comprehensive book. Its almost 350 illustrations guide us playfully through a glossary that serves to conceptualize Tara’s narratives, stories and identities.’

Design Archive Feature, Members Only Content
An overview of graphic design in 1900, exploring Art Nouveau, the Eckmann-Schrift typeface, the Steglitz Workshop, the Doves Press and more, illustrated with artefacts from the Design Reviewed archive.
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Advertising Design, Design Archive Feature
In Rau's case, the combination of graphic design and photo produces a particularly positive result, since he uses the photo not so much as an object of representation but rather as a suggestive means of expression.
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Advertising Design, Design Archive Feature, Members Only Content, Regional Histories
These one-colour forms have a playful but structured aesthetic through their geometric forms, they remind me of the abstract line drawings of Picasso blended with Jan Tschichold and the New Typography.
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