(Foreword) ‘The End of Print is the first collection of the work of David Carson, arguably the most innovative and influential graphic designer of the 1990s. Carson’s layered, challenging approach to typography has earned him an international reputation. At the cutting edge, he continually reinvents the relationship between design and type and has single-handedly changed the course of graphic design. A former professional surfer, sociology teacher and now art director of Ray Gun magazine, Carson has crystallized the look and attitude of an entire generation and leads a revolution in visual communication. In just a few years, he has acquired a cult following of young designers eager to break with tradition and forge a new aesthetic.’
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Magazines & Publishing, Members Only Content, Regional Histories
Industrial design was an American design magazine featuring furniture, ceramics, housewares, appliances, automobiles, buildings, radios, projectors, televisions, and many other objects designed for the postwar middle class. First published in the 1950s by Charles Whitney with Alvin Lustig as art director.
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Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.
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Members Only Content, Design Archive Feature, Designer Profiles
An article on Valentin Zietara , originally in German, published in Gebrauchsgraphik, 10, 1930, written by H K Frenzel translated by E. T. Scheffauer
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