The Journal of Decorative and Propaganda Arts 03, Italian Theme Issue, Winter 1987

Information

Content includes:
Gabriele D’Annunzio’s Theater of Memory: Il Vittoriale degli Italiani / Il teatro della memoria di Gabriele D’Annunzio: Il Vittoriale degli Italiani – Lucia Re
The Iconography of the Italian Novecento in the European Context / L’iconografia del Novecento italiano nel contesto europeo – Rossana Bossaglia and Howard Rodger MacLean
The Novecento Style in Italy: Commercial and Graphic Design / Lo stile novecento italiano: grafica di massa e design esclusivo – Sergio Coradeschi and Ippolite Rostagno
Illustrations of Propaganda: The Political Drawings of Mario Sironi / Illustrazioni di propaganda: i disegni politici di Mario Sironi – Emily Braun and Cioni Carpi
Interview: Piero Fornasetti / Intervista: Piero Fornasetti – Shara Wasserman and Piero Fornasetti
Letter from Rome / Lettera da Roma

Details

Linked Information

The Journal of Decorative and Propaganda Arts 03, Italian Theme Issue, Winter 1987
The Journal of Decorative and Propaganda Arts 03, Italian Theme Issue, Winter 1987
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.