The Journal of Decorative and Propaganda Arts 04, Spring 1987

Information

Content includes:
The Search for Visual Democracy – Isabelle Anscombe
New Classicism: Design of the 1920s in Denmark – Claire Selkurt
Oto Gutfreund and the Czech National Decorative Style – Penelope Curtis
Joe Jones: Regionalist, Communist, Capitalist – Karal Ann Marling
DAPA Duoview: Dianne Pilgrim and Richard Guy Wilson – DAPA, Dianne Pilgrim and Richard Guy Wilson
Rome Letter from Exoticism to Abstraction through the 1930s – Mario Quesada and Shara Wasserman
London Letter – Peyton Skipwith
Correction: Interview: Piero Fornasetti/Intervista: Piero Fornasetti

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The Journal of Decorative and Propaganda Arts 04, Spring 1987
The Journal of Decorative and Propaganda Arts 04, Spring 1987
More graphic design artefacts
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More graphic design history articles
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.

Members Content

Throughout the 1920s and 1930s, Paul Schuitema emerged as one of the Dutch pioneers of new typography. This article features a selection of the cover designs and a few inner spreads from my collected issues of De 8 en Opbouw.
Helmut Schmid Typography explores the typographer’s oeuvre in its entirety. The book’s generous design allows each image to breathe, and the accompanying texts narrate Schmid’s life and career in an informative and pleasant manner.

Members Content

Ootje Oxenaar designed the summer stamps for the Netherlands using an assignment from De Nederlandsche Bank based on banknotes. The assignment resulted in the collaboration of Oxenaar, the printer, the laboratory and the banking specialist, in which they experimented with the design of securities on printed matter.