The Journal of Decorative and Propaganda Arts 10, Autumn 1988

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Content includes:
The Eroticization of Domestic Space: A Mirror by C. R. Mackintosh – David Brett
The Art of Dress in the Victorian and Edwardian Eras – Otto Charles Thieme
The Rediscovery of Lalique’s Jewelry – Michael Koch and Rosemary FitzGibbon
Mexican Silver: William Spratling and the Taxco Style – Lucía García-Noriega Nieto and Ahmed Simeón
The Poster in Yugoslavia – Želimir Koščević
Propaganda Art in the Postage Stamps of the Third Reich – Frederick Lauritzen
Mitchell Wolfson, Jr.: The Man and His Mission – John Malcolm Brinnin
London Letter – Peyton Skipwith

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The Journal of Decorative and Propaganda Arts 10, Autumn 1988
The Journal of Decorative and Propaganda Arts 10, Autumn 1988
More graphic design artefacts
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More graphic design history articles
Last month (March 2022), I spoke to over fifty Graphic Design undergraduates about the archive and my passion for design history, after which the students had full access to items in the collection and participated in discourse amongst their peers and lecturers. As part of their critical studies unit, the students will be producing essays and content related to the impact, history and aesthetics of selected artefacts.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.
How design can transcend the logics, structures, and subjectivities of capitalism: a framework, theoretical grounding, and practical principles. A new book published by MIT Press written by Matthew Wizinsky.