The Journal of Decorative and Propaganda Arts 12, Spring 1989

Information

Content includes:
The Lively Poster Arts of Rockwell Kent – Eliot H. Stanley
Marketing Strategies as Indices to Style: The Pottery of Artus Van Briggle – Timothy Robert Rodgers
The Advertising Architecture of Fortunato Depero – Dennis P. Doordan
“New Masses” and John Reed Club Artists, 1926-1936: Evolution of Ideology, Subject Matter, and Style – Virginia Hagelstein Marquardt
Interview: Alan Moss and the Revival of American Modernism – Stephen Neil Greengard and Alan Moss
Correction: Propaganda Art in the Postage Stamps of the Third Reich

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The Journal of Decorative and Propaganda Arts 12, Spring 1989
The Journal of Decorative and Propaganda Arts 12, Spring 1989
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Last month (March 2022), I spoke to over fifty Graphic Design undergraduates about the archive and my passion for design history, after which the students had full access to items in the collection and participated in discourse amongst their peers and lecturers. As part of their critical studies unit, the students will be producing essays and content related to the impact, history and aesthetics of selected artefacts.
House style can give identity to the diverse products or activities of a firm. It stimulates loyalty, helps to reduce costs, and has advertising value.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

Graphis is one of the industries most long-standing magazines. It was first published in 1944 and founded by Walter Herdeg and Walter Amstutz in Zurich, Switzerland. It was released bimonthly and was trilingual, with articles in English, French and German.