The Journal of Decorative and Propaganda Arts 16, Summer, 1990

Content includes:
The Posters of Sven Brasch – Victoria Dailey
Thirties Sculpture in the Manship Tradition Reborn in the Eighties – D. Roger Howlett
Pondering the Products of Propaganda: Art and Thought on the Periphery – Peggy A. Loar
José Guadalupe Posada, Lampooner – Ilan Stavans
A Conversation with John P. Axelrod – Lyn Farmer and John P. Axelrod
Attilio Calzavara: Stories from an Archive – Enrica Torelli Landini and Jon R. Snyder
Graphic Art in America: The Artistic and Civic Poster in the United States Reconsidered – Gabriel P. Weisberg

Details

Journal of Decorative and Propaganda Arts
Journal of Decorative and Propaganda Arts is an academic journal exploring intersections of design, decoration, and propaganda in visual culture.

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The Journal of Decorative and Propaganda Arts 16, Summer 1990
The Journal of Decorative and Propaganda Arts 16, Summer 1990
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Hans Adolf Albitz and Ruth Albitz-Geiß by Franz Hermann Wills, 1952

Advertising Design, Design Archive Feature

Hans Adolf Albitz and Ruth Albitz-Geiß by Franz Hermann Wills, 1952

Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.

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Illustrated Journeys: The Designs of Hans Schmandt

Design Archive Feature, Illustration, Members Only Content, Regional Histories

Illustrated Journeys: The Designs of Hans Schmandt

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Collecting Graphic Design History and Design Reviewed

Design Archive Feature, Ephemera

Collecting Graphic Design History and Design Reviewed

Graphic design continues to be documented and an increase in individualised documentation and curated social media accounts are furthering our knowledge of design from a worldwide historic standpoint. I would not feel complete without the collected design that spans the shelves of my archive. It’s my identity, my passion and my hobby.

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