
‘Since its initial publication in Berlin in 1928, Jan Tschichold’s “The New Typography” has been recognized as the definitive treatise on book and graphic design in the machine age. At once a key theoretical document of Central European modernism between the world wars and an invaluable source of working principles for the practicing designer, this classic work enjoys the reputation among book artists that Le Corbusier’s “Toward a New Architecture” has long held among architects. The book’s legendary renown is certain to increase with the long-overdue appearance of this first English translation, published in a form that reflects Tschichold’s original typography and design. Ranging from theoretical discussions of typography in the age of photography and mechanical standardization to practical considerations in the design of business forms, “The New Typography” remains essential reading for designers, art historians, and all those concerned with the evolution of visual communication in the twentieth century.’

From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Book Reviews & Press Releases, Magazines & Publishing
As a champion of graphic design history, I was thrilled to find the upcoming book "Penrose 1964-73: The Herbert Spencer Years," a captivating visual anthology dedicated to honouring Spencer's legacy as a trailblazer in modern typography. Spanning 288 pages, this book commemorates Spencer's influential editorship at the Penrose Annual from 1964 to 1973.
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Design Archive Feature, Advertising Design, Members Only Content
Advances in production and 1950s chewing gum marketing. From Wrigley's iconic "Spearman" ads to Hiroshi Ohchi's designs for Harris Chewing Gum.
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Designer Profiles, Members Only Content
Max Huber worked across advertising, packaging, design and industrial design. He had a distinctive style that skillfully blended bright hues with photomontage.
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