
By Michel Wlassikoff
‘With the exception of poster art, French graphic design has enjoyed little recognition on the international stage — until now. This remarkable new book tells the fascinating story about the development of design in the France, and it does so with typical French flair. French graphic design has thrived on a multitude of external influences from places as far afield as Russia, Switzerland, Poland, Germany and Hungary. The designers here are legendary artists, actually some of the world’s most revered: French artists and artists who made Paris their home — Man Ray, Brassai, Cassandre, Leger, Duchamp, Mallarme to name just a few. The Story of Graphic Design in France documents the emergence of graphic design as a culture in France and illustrates how it came to the fore in recent years with bursts of vitality in poster art, typography, editorial design, magazine design, information graphics, multimedia, and television.’

Design Archive Feature, Members Only Content, Poster Design, Regional Histories
One of the main features in Gebrauchsgraphik 08, 1962 is focused on the 1961/62 annual poster awards in Germany. Over 400 posters were submitted to the awards.
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Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories
Ryuichi Yamashiro (山城隆) was a Japanese graphic designer and artist, born in Osaka in 1920. He belonged to the same generation of pioneering Japanese designers as Kohei Sugiura, Kiyoshi Awazu, Yoshio Hayakawa, Yūsaku Kamekura, Kazumasa Nagai, and Ikko Tanaka.
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Design Archive Feature, Members Only Content, Movements
A 1,500 essay on the transformative era of graphic design from the 1970s to the 1990s. Moving beyond the constraints of modernism, designers like Wolfgang Weingart and April Greiman redefined visual communication through bold experimentation with type, colour, and early computer graphics. This essay highlights how postmodernism and New Wave design introduced complexity, individuality, and digital innovation in to graphic design.
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