
Content includes:
One billboard in Powderhorn, Minneapolis – Erik Brandt’s garage gallery goes global
The arty type – Kern-ceptual-from Ed Ruscha to Tracey Emin, via Bob and Roberta Smith, and the Guerrilla Girls
Five things… to tackle creative block – Pum Lefebure, Design Army
The big typographic night out – East London letters and the night bus home
Never the bridesmaid, always St Bride – Meet Fleet Street’s hidden gem -then plan a visit
Five things… to tackle creative block – Dava Guthmiller, Noise 13
After hours – Inspiration out of the office
Variable is the spice of type – Phil Garnham delves into variable type
Get with the programme – A treasure trove of typography at the BFI
Five things… to tackle creative block – Luke Brown, The Company You Keep
That’s the spirit – A look at what makes some bottles more quaffable than others
Pulp culture – Chris Bolton takes us through his best beer mats
Sketching it out… – Meander through Adam Higton’s otherworldly sketches
For the beauty of writing – The ABC of orthotypography
Five things… to tackle creative block – Chris Pitney, freelance designer
Estd. 1926 – Behind the scenes with Perrott Bespoke Printing
A guide to type styles – A quick look at typographic groupings
Lovely Corita – The Hollywood sister and graphic design luminary finally getting her due
Five things… to tackle creative block – David Heasty, Triboro
Mad Men – Georgia Fendley, Construct, grapples with her controversial design hero Jean-Paul Goude
To the point – Question mark & exclamation mark
Letters page – From the pens and pencils of Fontsmith

Design Archive Feature, Designer Profiles, Members Only Content, Poster Design, Regional Histories
Joseph Binder established his studio, Wiener Graphik, in Vienna. One of the first clients was the City of Vienna’s Music and Theater Festival, followed by many other posters and logos for clients in Austria and beyond.
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Design Archive Feature, Members Only Content, Regional Histories
The stamps for the 1970 editions were designed by Jan Slothouber and William Graatsma in collaboration with the Centre for Cubic Constructions (CCC) in Heerlen. Every stamp displays a different corner point of the same block, highlighting eight distinct corner points, with four chosen for their unique identities.
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Members Only Content, Designer Profiles
A 1939 article on American designer, Walter Frank Bomar, published in The Inland Printer, Vol 104, No. 03, 1939.
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