Contents:
Book title 2 colors. Design and execution by Jarka Motyčka. Printed by A. Reis in Král. Vyšehrad. – Address book, 2-color. Design and typesetting by Em. Petlan. Printed by Šašek and Pavlíček in Pilsen. Book cover, 1-color. Design and typesetting by Alois Chvála. Printed by the Workers’ Printing House in Prague. – Wedding invitation and invitation, 2-color. Design and typesetting by Mat. Zeman. Printed by »Politika« in Prague. – Letterhead and address book, 2-color. Design and typesetting by Vil. Habenicht. Printed by Ant. Stiastný in Prague. – Address book, 2-color. Design and typesetting by J. Jirka. Printed by the Workers’ Printing House in Prague. Letterhead and envelope, 1-color. Design by Al. Chvála. Printed by the Workers’ Printing House in Prague. Samples of colors from the Kast & Ehinger factory in Stuttgart. Hugo Carmine’s representative in Prague.
TEXT: Jindra Dvořáček: Ex libris. – Dr. J. Pešek: Jan Hostivít Po-spíšil. Hubert Khel: On typesetting machines. Karel Hoz-mann: On paper from the printer’s point of view. (Completion.)
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Members Only Content, Regional Histories, Typography & Type Design
While gathering all my type catalogues, brochures, and instructions on print processes, I found a little book titled 43 American Typographic Designers. I have included biographical notes from the designers featured in the exhibition accompanied by artefacts I have collected that they designed.
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Design Archive Feature, Designer Profiles
A profile of British designer Dennis Bailey, featured in Modernist Graphic Design in Britain 1945–1980 by Ian McLaren and Tony Pritchard, exploring his early influences and role in shaping post-war modernist graphic design in Britain.
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Advertising Design, Design Archive Feature, Members Only Content
The graphic designer had to create a series of ads whose new publicity effects were to confirm or accentuate the already existing • image • of the paper. In this case, the planning was not based on a would-be psychological analysis of the reading public.
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