Contents of Issue No. 4
Supplements
Prospectus (J. Bernat)
Recommendation card (E. Svoboda)
Invoice/account sheet (V. Ambrosi)
English inserts (A. Šírek and A. Hering)
English inserts (E. Svoboda and Jar. Kural)
Recommendation card and 2 business cards (Jar. Dyntar)
Small poster (Ant. Hering)
Articles
V. Kynčl: Gravure printing and heliogravure
Josef Průša: On letterpress and offset printing
K. Holvek: Hand typesetting or machine typesetting?
Václav Krupka: The “Re-Ra” celluloid printing block
R. Martinčík: The influence of drawing on our work
Also included:
Jaroslav Červený: Historical calendar
Printing and association review
Questions and professional advice
Cover of issue no. 4 designed by Vilém Ambrosi
Published on 6 April 1925.
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Magazines & Publishing, Members Only Content, Movements
Victorian Graphic Design left a mark on both British and American design history. In Britain, the ornate embellishments served as a symbol of prosperity and cultural values. Meanwhile, America embraced the combination of various design elements to navigate the complexities of a rapidly changing society driven by industrialisation and consumerism.
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Design Archive Feature, Magazines & Publishing, Members Only Content, Regional Histories
Jazz Journal was first published in 1946 by Sinclair Traill, who also had some of his photographs used on the covers. The magazine is now online but remained in print for several decades, as Britain's longest enduring jazz magazine.
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Design Archive Feature, Members Only Content, Poster Design, Regional Histories
A selection of poster designs from Die besten Plakate des Jahres 1958 with a translated foreword by Maria Netter. Featuring the work of Müller-Brockmann, Celestino Piatti, Donald Brun and Armin Hofmann.
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