Content: Cover: A. Stehno. – A collection of supplements from a course for the unemployed, organized by the Typography branch in Moravian Ostrava.
Articles: O. Menhart: Classical typographic fonts. M. Novotný: Josef Richard Marek. K. Herain: New Year’s cards 1934. M. Brandejs: Searching for universal format inserts. Hohlux-Prisma-Automat machine. A. Triltsch (Vircpurk): Electrified papers and how to deal with them. J.V.: Ostrava course for the unemployed, held in October 1933 as it appears to the eye of a neutral observer. A. Hering, A. Stehno, A. Mašek: Honorary competitions of Typography branches: Moravian-Ostrava, Cologne and Kladno. Frant. Marek: Otto Weissberger as a seventy-year-old. Book printing and cultural review.
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Advertising Design, Design Archive Feature, Members Only Content, Regional Histories
These one-colour forms have a playful but structured aesthetic through their geometric forms, they remind me of the abstract line drawings of Picasso blended with Jan Tschichold and the New Typography.
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Flexible Visual Systems is the design manual for contemporary visual identities. It teaches you a variety of approaches on how to design flexible systems, adjustable to any aesthetic or project in need of an identifiable visual language.
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Book Reviews & Press Releases, Regional Histories
Both educators have a keen interest in multiscriptual design, Arabic type design, and graphic design and recently released A History of Arab Graphic Design. I contacted Bahia and Haythem to find out more.
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