Published on the occasion of the fifty-fifth anniversary of the Typography Association in Prague as the third issue of the forty-fifth anniversary volume of th…Published on the occasion of the fifty-fifth anniversary of the Typography Association in Prague as the third issue of the forty-fifth anniversary volume of the Typography Magazine, which the Association is the publisher. Published in September 1938 in a printing of 3,500 copies on wood-blade illustrative paper. Typographed from Fournier Monotype font, typographically edited by Stanislav Maršo, drawings by Karl Svolinský.
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Ephemera, Design Archive Feature, Illustration, Members Only Content
100 Indian matchbox labels, c.1945–1975. Nationalist iconography, illustrated wildlife, and trade marks from small manufacturers across India
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Book Reviews & Press Releases, Corporate Identity & Branding
I have always loved the design work created for Olivetti. The colourful midcentury designs by Italian designer Giovanni Pintori, the minimal typographic poster by Swiss designer Walter Ballmer and my personal favourite the 1959 poster for Olivetti designed by Herbert Bayer. I recently found out Triest Verlag released a new book, Visual identity and branding at Olivetti which contains further work by Xanti Schawinsky, Renato Zveteremich, Ettore Sottsass, Hans von Klier, Egidio Bonfante and Walter Ballmer.
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Advertising Design, Design Archive Feature, Members Only Content, Studios & Collectives
In the late 1950s, Hans W. Brose agency, with designers Pierre Mendell, Michael Engelmann, and Klaus Oberer, crafted a compelling, colourless campaign for Bols.
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