Oldřich Hlavsa

Typografia, ročník 58, 09-10, 1955

Details

Oldřich Hlavsa
Oldřich Hlavsa worked primarily in publication design and typography and played a major part in Czech graphic design history. He designed over 2000 book covers and published a series of his own books related to typography. Explore related designers including Ladislav Sutnar and Karel Teige. See also Czech graphic design history, Magazines, and 1950s graphic design history.
Typografia
Typografia is a Czech typography and printing journal featuring technical articles and historic design. The magazine was first released in 1888 in Prague.

Linked Information

Typografia, ročník 58, 09-10, 1955. Cover design by Oldřich Hlavsa
Typografia, ročník 58, 09-10, 1955. Cover design by Oldřich Hlavsa
More graphic design artefacts
More graphic design history articles
Advertising that Sticks. Examples of 1950s Chewing Gum Advertising

Design Archive Feature, Advertising Design, Members Only Content

Advertising that Sticks. Examples of 1950s Chewing Gum Advertising

Advances in production and 1950s chewing gum marketing. From Wrigley's iconic "Spearman" ads to Hiroshi Ohchi's designs for Harris Chewing Gum.

Read Article
Covering Art Nouveau, the Czech magazine, Typografia

Design Archive Feature, Magazines & Publishing, Members Only Content, Regional Histories

Covering Art Nouveau, the Czech magazine, Typografia

A great way to visualise these stylistic variations and their progression is by looking through magazine covers and interior pages produced during the movement. The covers of Typografia that best represent the Czech Secese style of Art Nouveau were produced between 1907 and 1911.

Read Article
Collecting Graphic Design History and Design Reviewed

Design Archive Feature, Ephemera

Collecting Graphic Design History and Design Reviewed

Graphic design continues to be documented and an increase in individualised documentation and curated social media accounts are furthering our knowledge of design from a worldwide historic standpoint. I would not feel complete without the collected design that spans the shelves of my archive. It’s my identity, my passion and my hobby.

Read Article