Join the Mailing List

Membership

Graphic Design History from Design Reviewed

Typografia, ročník 77, 09, 1974

, ,

Details

  • Format Magazine / Periodical / Journal
  • Designer/s Karol Porcal (Cover), Miloš Kasparek and Luděk Rohlík
  • Year 1974
  • Client/Publisher Published by the Printing Industry, General Directorate, Prague, at SNTL- Technical Literature Publishing House
  • Size 235mm x 310mm
Karol Porcal (Cover), Miloš Kasparek and Luděk Rohlík
Typografia
Typografia is a Czech typography and printing journal featuring technical articles and historic design. The magazine was first released in 1888 in Prague.

Linked Information

Typografia, ročník 77, 09, 1974. Karol Porcal (Cover), Miloš Kasparek and Luděk Rohlík
Typografia, ročník 77, 09, 1974. Karol Porcal (Cover), Miloš Kasparek and Luděk Rohlík
More graphic design artefacts
Typografia, ročník 53, 04, 1950

From the graphic design archive:

Typografia, ročník 53, 04, 1950

  • Format: Magazine
  • Designer/s: Josef Flejšar
  • Year: 1950
View Artefact
Typografia, ročník 75, 02, 1972

From the graphic design archive:

Typografia, ročník 75, 02, 1972

  • Format: Magazine
  • Designer/s: Karel Šejna (Cover), František Fantyš (Inners)
  • Year: 1972
View Artefact
Dekorativní umění, Ročník 04, Sborník 1, 1946

From the graphic design archive:

Dekorativní umění, Ročník 04, Sborník 1, 1946

  • Format: Magazine
  • Year: 1946
View Artefact
Typografia, ročník 82, 05, 1979

From the graphic design archive:

Typografia, ročník 82, 05, 1979

  • Format: Magazine
  • Designer/s: Vladimír Lutterer (Cover), Jaroslav Kosnar (Inners)
  • Year: 1979
View Artefact

view more of the graphic design archive

More graphic design history articles
Unimark International and the visual identity of South-African manufacturer, DEFY.

Corporate Identity & Branding, Design Archive Feature, Members Only Content, Regional Histories, Studios & Collectives

Unimark International and the visual identity of South-African manufacturer, DEFY.

The identity manual consisted of 130 pages of information and brand usage with Arie J. Geurts heading up the project as design director, (who later headed up his own design studio in Los Angeles). The identity uses minimal colour and focuses on a consistent brand blue in all communications.

Read Article
Walter Ballmer’s Mid-Century Italian Graphic Design

Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories

Walter Ballmer’s Mid-Century Italian Graphic Design

Walter Ballmer was a Swiss graphic designer born in Liestal, Switzerland in 1923. He worked across various design disciplines including advertising design, packaging, typography and exhibition design.

Read Article
Wolfgang Bäumer, Singular Graphic Composition, the advertisements of the Klöckner-Werke AG

Advertising Design, Design Archive Feature, Members Only Content

Wolfgang Bäumer, Singular Graphic Composition, the advertisements of the Klöckner-Werke AG

Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.

Read Article