Typographic, 38-39, Spring/Summer 1990

Content includes:

Museums and exhibitions
Bridget Wilkins – British Design: New Traditions
Frederique Huygen – British Design: Image & Identity
Bridget Wilkins – 8vo and the Museum Boymans-van Beuningen, Rotterdam
Flo Bayley – The Design Museum, London
Mark Suggitt – Headline or footnote? The typography of museum exhibitions
Bridget Wilkins – The Netherlands museums, Three approaches to exhibition design

Telephone directories
Colin Banks – The new British telephone directory
Jolijn van der Wouw 0 One hundred years of the Dutch telephone directory
Mathew Carter – Bell Centennial
Professor Ian McLaren- Videotex – the French Electronic telephone directory

Details

Typographic
TypoGraphic is the name of the journal published by the International Society of Typographic Designers (ISTD). First published in 1971.

Linked Information

Typographic, 38-39, Spring/Summer 1990
Typographic, 38-39, Spring/Summer 1990
More graphic design artefacts
More graphic design history articles
Ryuichi Yamashiro. Japanese Graphic Designer | 1920 – 1977

Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories

Ryuichi Yamashiro. Japanese Graphic Designer | 1920 – 1977

Ryuichi Yamashiro (山城隆)  was a Japanese graphic designer and artist, born in Osaka in 1920. He belonged to the same generation of pioneering Japanese designers as Kohei Sugiura, Kiyoshi Awazu, Yoshio Hayakawa, Yūsaku Kamekura, Kazumasa Nagai, and Ikko Tanaka.  

Read Article
Ornament and Identity: German Commercial Graphics from the 1900s

Design Archive Feature, Members Only Content

Ornament and Identity: German Commercial Graphics from the 1900s

German printer's plates from the early 1900s revealing how commercial graphic design shifted from Jugendstil ornament to modern identity design.

Read Article
Inspiring the students of Arts University Bournemouth

Workshops and Lectures

Inspiring the students of Arts University Bournemouth

My lectures and workshops also help bridge the gap between academia and industry. Through my lectures and collecting, I strive to promote design as a ever-changing dynamic industry that has the power to shape and improve the world we live in.

Read Article