Typographics “TEE” No.44 (January 1984)

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Content includes:
Special feature: Operation equipment that is used unknowingly Mark
Contains pictograms of television, video, audio equipment and office equipment produced and standardized by industry associations in various industries that are becoming JIS and ISO standards. Essay by Takateru Nakajima
[24] Role of Designer / Motoaki Okuizumi
Season’s Greeting [9] Whistle / Yoji Yamamoto
Typography Experiment / Masato Tsukamoto + Masaaki Morii

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Typographics TEE No.44, January 1984
Typographics TEE No.44, January 1984
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More graphic design history articles

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The designer is unstated on these postcards, which were designed during the mid to late 1970s, but these playful illustrations alongside what looks to be Frankfurter Bold definitely fit the criteria of friendliness and efficiency

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Little is known about the designer Günther Heil. he established his graphic studio in Berlin and designed many advertisements for 8mm and 16mm film distributor Bruno Schmidt in the 1960s. These were created in the same era as the film distributor Atlas Films was sending films to art-house theatres and were hiring designers Hans Hillmann, Hans Michel, Günther Kieser, Wolfgang Schmidt and Karl Oskar Blase.

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A collection of letterpresses German brochures from 1959/1960 designed by Hans Geipel for Süddeutsche Rundfunk (SDR), the South German Radio Network based in Stuttgart.

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Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.