
Content includes:
Ornamentation in Title Setting
The Garland as Job Printing Decoration
Composing Stick Position
Abbreviations in Job Printing
Underlines
The Register in Splendid Forms
Order in the Paper Store… Advice for Die-Cutting
Type Foundry Innovations
Improvement of Ink Rollers
New Toggle Press
Technical Minorities
Typesetting Corner
Löwy Court Art Institute in Vienna
Technical College for Letterpress Printers
List of Enclosures
Menu at the Hotel Royal using Behrens typeface by Gebr. Klingspor (formerly Rudhard’s foundry) in Offenbach am Main.
Award sheet.
Walthari typeface and bird ornamentation by Gebr. Klingspor (formerly Rudhard’s foundry) in Offenbach am Main.
Bookplate (ex libris). Light Wallenstein typeface by J. O. Schelter &Giesecke in Leipzig.
Hülsemann business card. Wittelsbach typeface and lines by J. G. Schelter & Giesecke, header by A. Numrich & Co. in Leipzig.
Baumann business card using Behrens typeface by Gebr. Klingspor (formerly Rudhardsche Giellerei) in Offenbach am Main.
F. A. Wölbling, stationer in Leipzig.
Calendar 1907.
Calculation supplement: Menu. Decorative typefaces Edda and Bramante by J.G. Schelter & Giesecke in Leipzig. Fortuna ornaments by Julius Klinkhardt in Leipzig
Letterhead Arbor, Round Gothic and vignettes by J. G. Schelter & Giesecke in Leipzig. Paper by Wm. Joynson & Son, Berlin.
Color sample by Kast & Ehinger, G.m.b.H.in Stuttgart.
Wrapping paper sample by Albert Petersdorf in Koftbus.
Invitation to the exhibition using Artist’s Grotesque from the Bauer Type Foundry in Frankfurt am Main.
Color sample from the Sigmund Ullman Co. in New York
New Year’s Wishes
Invitation to a gathering using Behrens typeface by Gebr. Klingspor (formerly Rudhard’s foundry) in Offenbach am Main. Romanesque ornaments by Otto Weisert in Stuttgart.
Brochure cover using Eckmann typeface by Gebr. Klingspor (formerly Rudhard’s foundry) in Offenbach am Mai
Brochure cover using Wallenstein typeface by J. G. Schelter & Giesecke in Leipzig.
Fashion house cover. Rococo tendrils and Rousseau typeface by J. G. Schelter & Giesecke in Leipzig.
Color sample: Gebr. Jänecke & Fr. Schneemann in Hanover

From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories
Max Huber was born in 1919 in Switzerland. He studied at the Kunstgewerbeschule (School of Arts and Crafts) in Zurich where he excelled in graphic design and photography. Huber worked across advertising, packaging, design and industrial design. He had a distinctive style that skillfully blended bright hues with photomontage.
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Design Archive Feature, Members Only Content, Regional Histories, Typography & Type Design
50 examples of Czech typography from Typografia Vol. XIX (1908). Czech commercial printing at the crossroads of Art Nouveau and early modernism, with work by Otokar Císař, Method Kaláb, and Mořic Novotný.
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Designer Profiles, Members Only Content, Movements
April Greiman is known for her experimental approach to graphic design, her role in the development of Californian New Wave and being one of the first designers to fully embrace the computer in her work.
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